Italian 1500-1571 Italian painter and draughtsman. He is best known for his strikingly beautiful depictions of women, both in portraits and in cabinet paintings. He also excelled in rendering monumental architectural settings for narrative, both religious and secular, possibly initiating a genre that would find great currency during the mid-16th century, especially in Venice, France and the Netherlands. His favoured media were oil and fresco, the latter being used on both interiors and faades. Although he was not generally sought after by Venetian patrons during his career, as his art was eclipsed by that of Titian, Paolo Veronese and Jacopo Tintoretto, Bordone was regarded in the mid-16th century as an accomplished artist (Pino; Sansovino). He worked for the moneyed lite of northern Italy and Bavaria, for the royalty of France and Poland, and had works commissioned to be sent to Spain and to Flanders. Despite knowledge of the important patrons for whom he worked, the chronology of Bordones oeuvre is by no means clear. Dating on stylistic grounds is confounded by the diverse sources on which he drew, ranging from the Emilian, Lombard and Venetian to the French and northern European, depending on the patron. Due to the ease with which prints circulated during Bordones career, it is difficult to ascertain whether influences were derived at first hand or from printed images. Such difficulties in assigning dates are further exacerbated by his use of the same figure study for numerous paintings evidently executed decades apart. Reliance on the testimony of Vasari, who interviewed Bordone in 1566, in conjunction with the extant documents, the few signed and dated paintings and, to a lesser extent, period fashion provides only a rough outline of his activity. Due to the lack of agreement among scholars regarding chronology, the following account is based mainly on the documentary evidence.  Related Paintings of Paris Bordone :. | Two Lovers | Madonna with Sleeping Child | Portrait of a Young Woman | Presentation of the Ring to the Doges of Venice | Madonna and Child with Saints |
Related Artists:
Fedor Alekseev
(c. 1753 ?C November 23, 1824) was an early Russian painter of landscape art. After training in the Saint Petersburg Imperial Academy of Arts, he spent three years in Venice studying the works of famous French and Italian landscape painters. Returning to Saint Petersburg to work, his popularity grew over time. In 1800, Emperor Paul of Russia commissioned a series of paintings of Moscow from him.
William Robinson Leigh
(September 23, 1866 - March 11, 1955) is a noted American artist, who specialized in Western scenes. He was born at Maidstone Manor Farm, Berkeley County, West Virginia. He entered the Maryland Institute at age 14, then attended the Royal Academy in Munich. He returned to the United States and worked painting cycloramas and as a magazine illustrator. He married and fathered William Colston Leigh, Sr. (1901-1992). In 1906, Leigh traveled to the American West and maintained a studio in New York City. In 1933, he wrote and illustrated The Western Pony. He also traveled to Africa and published a book Frontiers of Enchantment (1938). Hs adventures were chronicled in a number of popular magazines including Life, the Saturday Evening Post, and Colliers.He is known for painting the Grand Canyon and Yellowstone National Forest, but his primary interest were the Hopi and Navajo Indians
Pieter Gallis
(1633, Enkhuizen - 1697, Hoorn), was a Dutch Golden Age painter. According to Houbraken, he painted as a hobby, since he earned his living as the director of the local pawn shop (Bank van Lening).He specialized in landscapes, flowers, fruit and other forms of still life. He was a very friendly man, especially to artists and art collectors. He was active in Enkhuizen (and perhaps Amsterdam), in Purmerend from 1679-1683, and in Hoorn from 1683 until his death.